MadCap's Game Reviews - "The Worst Games of 2015"

Oh, would you look at that? Another year gone. And now, it's time for me to put up my customary lists of best and worst games of this the year 2015. Or rather, that the last year, 2015, since we're all sitting pretty in the brand new shiny year of 2016. Huzzah!

So, here's the worst simply because I like to start off my New Years' screaming like an angry psychopath about things I don't like. But enough about my family's lavish cocaine and meat cleaver parties, let's get on with the festivities.  This year, instead of a Top 10 list, you'll have to settle for a Top 5, because while I played more than enough games to make such lists, too many of them were good, so I had nothing I could really do, alas.


5. Dragon Ball Xenoverse - Resurrection of F

Review here

I liked Xenoverse. Quite a bit. I didn't care for the DLC packs. They barely had any substance and what they did have was sadly very lacking.  A few additional characters and some items were nice, but with no story mode and a distinctive lack of Super Saiyan 3, Super Saiyan God and other transformation modes makes this...really rather disappointing.

4. Dungeons & Dragons: Daggerdale

Review here

How are you going to have a D&D game that is so boringly generic and lacking in any character customization? What the hell were you thinking Atari?  Not that I could expect anything better from Fourth Edition...

3. Grabbed By The Ghoulies

Review here

Rare's last dying gasp turned out to be a choked stranglehold beneath the feet of Microsoft.  There is a good game here, but it's completely ruined by a fear mechanic that serves no purpose, a camera you can't control, and a main character who you want to punch in his smug face.

Also, Jump Scares. Which are never not stupid.

2. Mummies Rising

Review here

Yeah, anyone who saw my review of this knew I'd have to say something.  Though I didn't honestly think it would get so high on my list, truth be told.  But as I went back to it for another review (or a re-review, if you will), I honestly can't find any redeeming qualities to it.  You can't see anything more than five feet in front out of you, you move slower than a senior citizen on a walker walking backwards through molasses up to their waist any time you attempt to turn or change direction.

And forget running, there is no running.

Coupled with the complete lack of originality or diversity with guns, I'm not really sure who it is that this is for. It's just really not good. At all. And I'm not saying that because it's a small little indie developer who has no talent whatsoever. I'm saying it because it's bad. Bad lighting, bad guns, bad controls. Just...bad.

And speaking of bad, bad, bad...

1. Banjo-Kazooie: Nuts & Bolts

Review here
Yeah, there are no redeeming qualities to this game. None. At all. It takes what was my favorite franchise as a child and projectile shits on it at every turn. The fact that this game exists is affront to anyone who had any love of Banjo-Kazooie or Banjo-Tooie. I'd almost argue that it's an affront to the very fabric of creation itself. Everything this game can get wrong, it does. It insults the fans of the series, it smothers the likability of the main characters, much less the several others we've come to know and love through the series.  There is really no way I can even look at this game without wanting to invite every single form of destruction that I could visit upon it.

It's right up there with Halloween II in terms of the terrible, terrible things I would do that would never see the ramifications of legal action. Because five minutes into playing this, and pretty much everyone would immediately agree that I was completely justified. The crux of my entire defense would be pointing right at the tattered remains of the game disc and I'd get off Scott-free.

And all of that isn't even getting into how stupid it is to take a series that was so built around platforming and change it into a game about cars.  Cars.  And that's a very minor complaint in the grand scheme.  The fact was that Microsoft gave not one shit about the fans of the series who had so loved it and wanted the long-awaited third part of it to be good, and Rare was unable to deliver what they had in the past and are now simmering in the lowest depths of Kinect Hell for their trouble.

...which I'm pretty sure is just Hell.

For the latest from the MadCapMunchkin, be sure to follow him on Twitter @MadCapMunchkin.

MadCap At The Movies - "Star Wars Episode VII: The Force Awakens"

The internet has been utterly and completely alive with positive buzz for this film. And, in the words of Han Solo, I'm here to tell you one thing, my readers. One thing.

It's true.

All of it.

However, due to Harrison Ford kindly asking that everyone not spoil the film, I will endeavor here to give only the most basic of details so as not to ruin the plot for anyone.  That being said, let's dig into The Force Awakens for a more in-depth review.

The film picks up after the last trilogy that people actually care about, and telling us that it is roughly thirty years after A New Hope with the Empire having fallen apart and given way to a new group known as the First Order...who are basically the Empire.  Controlled by the shadowy and enigmatic Snoke (Andy Serkis), lots of Stormtroopers and Death Star chic going around...yeah, might as well be the Empire.  To combat them, General Leia Organa (Carrie Fisher) has formed a Resistance against them...which is pretty much just the Rebel Alliance anyway, so I'm not really sure why the change.

...oh, right, the New Republic exists now.  Not that they do much.

Regardless, the big news is that Luke Skywalker (Mark Hamill) has gone missing and both the Resistance and the First Order are looking for the last piece of a map to find him.  This map ends up in the possession of the adorable little droid BB-8  (who you've seen rolling around in all the adverts) so he/she/it can get it back to the Resistance, which eventually leads him into the company of Rey (Daisy Ridley) and Finn (John Boyega).

I like both of the new leads, Rey in particular goes through the most character development in the film, but I'll save that for those who see it.  In the beginning, she's nothing more than a scavenger living on Jakku with many details that are spoilerific.  To say nothing else, she is a good actress and I look forward to seeing more of her in the future as her character continues on said development.

Finn, too, is a pretty good character.  A stormtrooper for the First Order, he defects and tries to escape at first, but later joins the good fight as we've come to expect from our heroes.  Again, any further is going into territory of the spoilers but, needless to say, I rather enjoyed him in the film and Boyega really sells the emotions of his character quite well.

And now we come to the original cast - awesome.  Unlike Harrison Ford's last attempt to return to a franchise after twenty years, it is awesome to see the man back as Han Solo.  He's an older, wiser roguish space pirate now, but a roguish space pirate he remains.  The man who will flee at the first sign of trouble but, in the end, will always come back and do the right thing no matter the personal cost.

Chewbacca is Chewbacca. And Chewbacca is freaking awesome.  No further explanation needed.

Then we have Leia serving as the General of the Resistance.  Much like her role in A New Hope, she...doesn't actually do much besides have some scenes with Rey and Finn and chat with Han about their past (the chemistry from Empire and Jedi is still very much there, by the way), but it is very nice to have her around if just to help give some continuity.

And, at last, we come to Luke, who I almost forgot...except for the fact that he's the reason that this whole adventure even happened to begin with.  I've been told that Mark Hamill is due to have a much, much greater role in Episode VIII, but his appearance in this film would be like a Hitchcock cameo if not for its placement. Without wishing to spoil it completely, if you come into this film hoping for a lot of Luke, you're going to be disappointed. I know I was.

And now we come to Kylo Ren (Adam Driver), the Darth Vader expy who apparently has a great boner for the seven foot tall asthmatic warrior of the Dark Side. He's angsty...apparently feeling the "call of the light" in an ironic twist on the whole corruption by the Dark Side, but believes he'll be stronger by living up to the standard set by his idol, Darth Vader.  And while he has no menace at all, much like Anakin in Attack of the Clones...it actually seems intentional here, rather than hilarious as it was in that film.  He's conflicted, he's going through his own development.  The story is as much about him as it is about Rey and Finn.  And that's good, really.

The writing by Lawrence Kasdan helps a lot, considering he wrote Empire, which everyone pretty much universally agrees is the best of the Original Trilogy.  Of course, there are some bits where you can feel the hand of J.J. Abrams on the film in dialogue and action, but those can't really be gone into without spoiling by pointing out specific scenes.  Needless to say, if you've seen an Abrams film, you'll know it when you see it.

Now, there are a few things I don't particularly care for - such as the treating of characters like Luke, Han, and others as if they're mythic.  I understand why it was done, from a standpoint of storytelling, but it doesn't make sense from a reality standpoint considering Luke, Han, and Leia were among the most wanted if not the most wanted individuals by the Empire during the Galactic Civil War and they're living in a high-tech setting where shit like that doesn't just go away by any means. Yes, they're mythic to us because of Star Wars being a long-running series that is beloved by so many. Yes, myths and legends may have sprung up about Luke Skywalker himself, but saying that the man himself is a myth when there is very verifiable evidence of him existing is really, really, really unnecessary and, let's be honest J.J., kind of lame.

Also other things that I can't get into because they're spoilers. Technically, that was a spoiler, but steady on.

But really, this film gives you pretty much everything you want and nothing you don't.  For long-time Star Wars fans, it's a breath of fresh air and a feeling of elation at the fact that the dark times are over and we need no longer fear horrifically bad dialogue about sand or talk of microscopic bacteria in the bloodstreams of Jedi. For new fans, it could very well be their first step into a larger world. It definitely feels like a Star Wars movie and, for all its minor issues, it doesn't get ruined by them.  The nods and homages to what came before are nice (though one could argue, probably without much room for argument, that the entire film is one big nod to the original trilogy) and don't bog down the story of the new generation.

The saga goes on...and from the looks of now (and the fact that they haven't gone the Into Darkness route yet), it looks pretty glorious...

Star Wars Episode VII: The Force Awakens is now in theaters from Walt Disney Studios Motion Pictures and Lucasfilm.

For the latest from the MadCapMunchkin, be sure to follow him on Twitter @MadCapMunchkin.

MadCap's Reel Thoughts - "Star Wars Episode VI: The Return of the Jedi"

Well, here it is. The last Star Wars movie, at least at the time of writing.  As of this review, only four days remain before we can no longer call the Star Wars saga complete.  This was a film that was written to be the epic ending of a saga.  Audiences in 1983 thought so, and it's considered one of the three good Star Wars movies, though admittedly it's the least highly regarded of the Original Trilogy...and even I have to admit that I see why, but I'll get into that.

The film picks up much where Empire left off, though with Han Solo (Harrison Ford) still in carbonite as Luke Skywalker (Mark Hamill) and Leia (Carrie Fisher) spearhead a brave campaign to try and rescue him from the evil Jabba the Hutt. This plan involves them and their friends C-3PO (Anthony Daniels), R2-D2 (Kenny Baker), Lando Calrissian (Billy Dee Williams), and Chewbacca (Peter Mayhem) all showing up one or two at a time.

...brilliant plan.

Needless to say the actual plot picks up with the construction of a brand new Death Star over the forest moon of Endor, which is being overseen by Darth Vader (James Earl Jones, David Prowse) and the Emperor (Ian McDiarmid), who plan to use it as a final blow against the Rebel Alliance whilst turning Luke to the dark side of the Force.

Now, as for the main plot, we have Luke accepting the truth that his father once owned a sled named Rosebud and is now the Sith Lord known as Darth Vader, and trying to redeem him.  Despite the beliefs of both Obi-Wan (Alec Guinness) and Yoda (Frank Oz), Luke still believes that Anakin Skywalker can be brought back to the light side of the Force.  And, as we all know, Luke is correct and he ultimate succeeds in this venture - redeeming Anakin and seeing that the greatest evil the galaxy had until then known was destroyed, as well as proving himself worthy of carrying on the legacy of the Jedi Knights.

For Anakin, this brings about the end of his character arc. From a youth on Tatooine who Obi-Wan was surprised that the Force flowed so strongly through (remember, I don't consider the prequels canon) to a Jedi who fought in the Clone Wars to a scion of the Dark Side to ultimately finding his redemption through love for his son.  This has technically been in play since Empire, and it's been made abundantly clear that Vader has had some conflict in his interactions with Luke, his son stirring the good man he once was in him and making his decisions all the more difficulty.

The scene where Vader is stuck with a choice between his evil mentor and his dying son is one of the most beautifully done scenes in all of fiction.  Anyone who has ever worked in a theatrical production knows the hindrance that masks give, particularly ones that completely hide the face. It doesn't seem like much, certainly, but when one's face is covered it takes away all ability to show expression besides in tone.  Admittedly, with Vader, this is circumvented with the powerful voice of James Earl Jones.  However, in this scene, Vader doesn't speak.

At all.

He looks between the man who aided him on the road to damning his soul, and to his dying son begging him for help as he's roasted alive by electricity.  In that scene, in the black Plexiglas of Vader's eye lenses, you can see a myriad of emotions flow through him - confusion, sorrow, regret, rage.  And then, in a single moment, clarity as he lurches towards the Emperor, lifts him up, and casts him down the reactor shaft of the Death Star, choosing love for his son over the darkness.  It is a poignant moment, and it's all the better by the fact that Vader never has to say a word to express what he's thinking to the audience.  We can see it in that moment of indecision, and his actions immediately after. It's pretty much absolutely perfect.

So, of course, Lucas had to fuck it up by having him scream "NOOOOOO!!!!" in an incredibly hammy and unnecessary fashion.

Way to go, George. Way to go.  It's stuff like this that makes the internet hate you.

Though that's not the only problem with this film, and not even one that can be traced back to the original film.  That's right, there's actually just one major problem that people have with this film and it's a simple one - Ewoks.

I get it.  I do. They're all furry and cute and marketable and not the badass Wookiee warriors that were the original plan (that idea being relegated to Revenge of the Sith and really kinda sucking there, oddly enough).  But you know what they aren't?  Gungans. And I think we can all be very, very happy about that fact.

Still, that one major and one minor issue aside, I love this movie.  It brings a tone of finality to the entire Saga that is worthy of what it is and what it means to so many.  The final scenes of the Rebels partying with the Ewoks on Endor and - in one of the few edits I do like that Lucas made - the montage of various worlds celebrating the downfall of the Empire is the very definition of triumphant.  And as before he goes to join his friends in the celebration, Luke has one last look to Obi-Wan, Yoda, and a restored Anakin, and while they are gone, they will always be with him.  The future looks bright and, as the first of the new Jedi Knights, Luke Skywalker will be ready for whatever comes next.

...so, see you all in four days to find out just what comes next.

Star Wars Episode VI: The Return of the Jedi is now available from 20th Century Fox and Lucasfilms.

For the latest from the MadCapMunchkin, be sure to follow him on Twitter @MadCapMunchkin.

MadCap's Reel Thoughts - "Star Wars Episode V: The Empire Strikes Back"

Empire Strikes Back is considered the greatest film in the Original Trilogy and the greatest film in the Star Wars saga by many. And, really...I can't disagree. So, there. That's it.

Star Wars Episode V: The Empire Strikes Back is now ava-

...okay, okay, I'll go into a little more detail.

A few years have passed since the destruction of the Death Star at the end of A New Hope and the once victorious rebels are on the run from the Empire, bunking down on the ice planet Hoth. There, Luke Skywalker (Mark Hamill) receives a vision from his deceased mentor Obi-Wan Kenobi (Alec Guinness) to see out the Jedi Master Yoda (Frank Oz). Meanwhile Han Solo (Harrison Ford), Leia (Carrie Fisher), and Chewbacca (Peter Mayhew) must avoid the Empire after the Battle of Hoth, eventually finding their way to Cloud City and the care of Lando Calrissian (Billy Dee Williams) who is totally not a traitor and will not hand them all over to Darth Vader (James Earl Jones).

Which, of course, inevitably it does and inevitably Luke comes looking for his friends and learns a terrible secret that Obi-Wan never told him - Darth Vader took his father's sled and his sword and the calls were coming from inside the house because Vader can see dead people!!!

Okay, yeah, you know the twist by now. People who have never even seen this movie know the twist by now - Darth Vader is really Anakin Skywalker, Luke's father.

Mind you, much like Shamalyan's two good twists in his two good films (I'll leave you to figure out which ones) the clues that were there helped to build it up and are appreciated much more on repeat viewings - in this case, Luke's encounter in the Dark Side cave on Dagobah with the illusory version of Vader.

This film is all about realizing that the past isn't dead and will come back to bite you. Pretty much what Randy said in Scream 3 except this isn't under trilogy rules...strictly speaking. And, being that I was born in an era when all three movies had come out, I can only imagine what it must have been like to have that as the final reveal of the movie and having to wait three years before finding out if Vader was telling the truth.

The film also actually ends on a rather depressing note. Sure, they've all survived, but Han is in the hands of Boba Fett and is going to be taken to Jabba the Hutt and they are still on the run from the Empire, who have effectively won the day by forcing the Rebels to scatter off to a distant corner to lick their wounds. But still, there's that feeling of optimism that they will triumph and will eventually defeat the Empire once and for all...which they will do in the latest and, until December 18th, the last chapter in the Star Wars saga.

Other than that, there's really not that much ground that can be covered. I loved the furthering of Luke's Jedi training by Yoda, adding more layers of mysticism and enchantment to the Force that the prequels were all too happy to just take a giant, steaming dump on. I loved the romance building between Han and Leia, Lawrence Kasdan's writing and the chemistry between Harrison Ford and Carrie Fisher just making things oh so fiery and with nobody talking about sand. I loved Lando and all his sway coolness, as well as his arc in remembering the right side and fighting against the oppression of the Empire.

Literally, there's just about nothing I can hate about this movie. To do that, I'd have to be some kind of crazed, nitpicking jackass and that's just not me...in this particular instance. It's gold, pure and simple.

Now Return of the Jedi, on the other hand...

Star Wars Episode V: The Empire Strikes Back is now available from Lucasfilms and 20th Century Fox.

For the latest from the MadCapMunchkin, be sure to follow him on Twitter @MadCapMunchkin.

MadCap's Reel Thoughts - "Star Wars Episode IV: A New Hope"

Finally, we're to the good movies.

Yes, I know the prequels have their fans and yes I know that people can find some merit in them. I'm not one of them and am one of, I think, many who just wish they hadn't been attempted at all. However, I don't let them taint my memories of these films, oh no no.

And no, I don't let the Special Editions do that either, I actually really don't care about the edits that Lucas has made over the year...save for one, but I'll get to that.

To kick things off where it began in movie theaters in 1977, Star Wars (as it was originally titled, with no subtitle), is the epic tale of young Luke Skywalker (Mark Hamill). a farmboy on a desert world who is drawn into adventure by the entrance of two droids (Anthony Daniels and Kenny Baker) into his life. Taken under the wing of now wise old man Obi-Wan Kenobi (Alec Guinness), Luke begins to learn the ways of the mysterious Force, an energy field that connects all living things...

...which is not generated by microscopic bacteria in his bloodstream, because that would be beyond stupid....

...and goes on an epic quest to save Princess Leia (Carrie Fisher) from the clutches of the dreaded Empire with the aid of roguish smuggler Han Solo (Harrison Ford) and his co-pilot Chewbacca (Peter Mayhew).

...but you all know that story anyway.

I have a hard time saying anything bad about this movie. It may just be after getting through the awful mess of the prequels or it may just be the rose-colored glasses, but it's just that good. I love virtually every scene of this film from the opening crawl to the minute the credits roll in the Throne Room at the end. The acting is pretty decent. The effects are, for their time, pretty awesome and a wonderful showcase of practical effects over the CGI that would be used in later (earlier?) films.

While the environments aren't so broad in scale as they are in the prequels, they're more close and intimate, giving us to focus more on the characters who are to this day still quite beloved by the fanbase - something which the prequels were sorely lacking in.

Seriously, did you really care when Aayla Secura (who I just found out has a name) was gunned down in that jungle in Revenge of the Sith?

No. No, you didn't.

Did you care seeing Obi-Wan Kenobi being cut down by Darth Vader (spoiler alert) when you see this movie for the first time?

Oh, hells yes.

As a child, I thought this film was awesome. It had epic space battles, heroic shoot outs, and the awesomeness that is the lightsaber for the first time. The scene of Darth Vader first stepping onto the Tantive IV (or the Rebel Blockade Runner, whichever you prefer) is still heavily rooted in my mind as one of the most iconic I've ever witnessed and I remember as a kid how it absolutely chilled me to the bone the first time I ever saw it.

Coming from an adult perspective, I love this movie because it avoids most of the problems of the prequels. Most of all, it doesn't bog us down with nonsense and actually has enough closeness to where we can get to know and love out characters. They can even have meaningful conversations with one another.

...but not about sand. Nobody likes sand.

Star Wars Episode IV: A New Hope is now available from Lucasfilms and 20th Century Fox, current rights owned by Disney.

For the latest from the MadCapMunchkin, be sure to follow him on Twitter @MadCapMunchkin.

MadCap's Trailer Reactions - "Captain America: Civil War"

Ohhhh, boy...this movie.

Anyway, you know the drill by now.  Watch the trailer, then read on...

Now, anyone who's been following my blog for a while, or who knows my general disposition towards Marvel Comics, or has a shred of common sense will know that I'm not a fan of the comic book storyline Civil War.

Short recap: The government wants register superhumans after an incident that killed a few hundred civilians. Iron Man says yes, Captain America says no, they fight and so do a bunch of other superheroes in the Marvel universe. In the end, Iron Man does a lot of illegal things, but in the end Cap and the Anti-Registration side are the bad guys so Tony Stark doesn't spend the rest of his life in solitary confinement at a maximum security prison.

Oh, and Spider-Man makes a deal with Satan.  Charming.

Needless to say, I don't have a very high opinion of the event and I don't know a lot of people who do. However, I've decided to not treat this film on the merits of the adaptation. After all, stupid ideas have been made to work in the hands of good writers. And even ideas that were good have been brought to new heights in adaptation - such as in Captain America: Winter Soldier. So, could that potentially happen for Civil War? Let's have a look at what we have so far.

First off: the bad. There's no Spidey in this trailer.  Yeah, I was disappointed, too. Especially since this is going to be his first appearance on the MCU scene, I figured there'd be at least something to show of him. Not showing their hand on him isn't a bad choice, however, especially after the previous two film adaptations of our friendly neighborhood snarky joke machine that have gone over as polarizing at best.

The final scene where Cap and Tony have the exchange about Bucky. "He's my friend" "So was I", doesn't...really work.

One of the very, very few things I will give the comic event Civil War credit for is in the fact that it used the long established friendship of Steve Rogers and Tony Stark as a point of conflict. Sure, they were now dire enemies, but they had been friends and respected one another a great deal.  In any other situation, as they had demonstrated many times in 616 canon, they would have stood back to back against any foe. Mind you, that friendship was used as a way to try to pull at our heartstrings for what was one of the stupidest Marvel crossovers in recent memory, but still, it was there.

In the MCU...they've know each other for all of two major events. While that's a big deal to some, it's not really when you compare it to the (at the time in the comics) 40 years worth of storylines that they had fought alongside one another in. The line "So was I" comes across as Tony trying to put himself up on the same level of Bucky...which is really just offensive when you break it down. Bucky, in the MCU, had been Cap's best friend since before he was ever Cap. Tony is a guy who, while he's fought in two major conflicts alongside Cap, does not have the same bearing with him as a man who he had known since boyhood and fought alongside for years in war against the Nazis/HYDRA.

Needless to say, I was immensely satisfied with the scene where Tony is getting wailed on by Cap and Bucky.

However, since we've gotten through the bad, let's get into some good: Black Panther. Sure, he has no speaking lines, but we do get our first good look at him and I have to admit, I do like how he looks. It's a problem in superhero comic movies to see translations of superhero outfits not come over so well. This has been seen in some films and television shows, as well as been made a joke in others (such as the recently released and quite excellent Jessica Jones). However, Black Panther doesn't seem to have suffered that fate, having a very sleek look to his black armor that is very fitting of the comics version of the Wakandan king.

And so far, that's really all there is to talk about. No Spidey, a little of a very good-looking Black Panther, and a conflict that literally no party involved is going to look good coming out of. Given the "realistic" version of the Marvel world that the MCU wants to present, perhaps we will actually see some consequences to people's actions.

Then again, somebody might want to bring up that whole "Stark's AI tried to drop a city on the world" thing...might help to paint things in a different light.

Captain America: Civil War will be released to theaters from Disney and Marvel on May 5, 2016.

For the latest from the MadCapMunchkin, be sure to follow him on Twitter @MadCapMunchkin.

MadCap's Reel Thoughts - "Star Wars Episode III: Revenge of the Sith"

...what's this? A watchable Star Wars prequel? It's more likely than you think.

Maybe it was the fact that this was the closest that any of the prequels had come to even being like the originals.

Maybe it was because there was actually some decent turns by Christensen and others that were so sorely lacking in the others.

Maybe people were just happy that this shitty trilogy was finally fucking over.

I'll be honest, I went to the theater to see this. Seven times. In my defense, there was fuck all else to do that summer. But really, this is the only prequel film that I truly enjoy...not that it isn't without its problems, of course, but we'll get into them.

The story continues with the closing time of the Clone Wars. Anakin Skywalker (Christensen) and Obi-Wan Kenobi (Ewan McGregor) brave a mission to save Chancellor Palpatine (Ian McDiarmid) from the Separatist general, Grievous (Matthew Wood). In the aftermath of this, Padme (Natalie Portman) reveals to Anakin that she's pregnant with their child, which will lead into Anakin having prophetic dreams about her death in childbirth, which will lead into him becoming the Dark Lord of the Sith known as Darth Va-yeah, you know the rest of the story by this point.

Once again, for all that they are given to do here, McGregor and Portman still suffer from really bad direction, as does Christensen, but we've come to expect that. Here, however, is where I'll have some kind words of Christensen's acting.

Yes, you read that right. Do not adjust your monitor.

As I mentioned last week, Christensen's strengths show when he shuts his mouth.  This is primarily evident in some of his first scenes as Darth Vader. The guy can actually command a very menacing and terrifying presence.  The best scenes to show this are the attack on the Jedi Temple and later on Mustafar when he exterminates the Separatist leadership to end the Clone Wars forever.

However, I also have to take that point right back because the way Anakin's fall to the dark side is done is amazingly rushed.  He makes a split second choice to save Palpatine from Mace Windu (Samuel L. Jackson) and immediately falls right for his sales pitch after.  And yes, Episode II and a good bit of this film helped to build up, but it was still based on a very quick split-second decision rather than some great moral dilemma.

And yes, I know. Rash decisions are made in fear. Fear leads to anger, blah blah blah something something something dark side. But really, onscreen, we should have seen a little bit more.

The Jedi Purge, an event that should have far more gravitas and emotional weight to it...really doesn't, mostly because they're a bunch of Jedi who we've had little screentime for and even less interaction with.  And before anyone who's a fan of the animated series or the novels gets in touch - Rule of Adaptation does not apply here. If they wanted me to care, they should have put more time into making characters that I cared about.

Now, as for the characters we do care about...we care about them, but it's a foregone conclusion. We know Anakin falls to the Dark Side and becomes Darth Vader. We know that Obi-Wan and Yoda put Luke and Leia into hiding and then go into exile.  We know that Padme is dead at least by the time of Return of the Jedi so that Luke and Leia can have an awkward conversation about her.

To this film's credit, it is far better acted and is better plotwise than either of the other two prequels.  The music is, once again, awesome as ever because John Williams is still John Williams. The fights are sublime, particularly the several lightsaber duels and especially the duel between  Anakin and Obi-Wan at the end. It was clear they were putting a lot of work in for what was to be the finale of the Star Wars saga, completing the story.

...but did it ever need completing?

The answer is no.

The images of the years covered by the prequel trilogy were pretty much told by Obi-Wan Kenobi in A New Hope, and was done far, far better there in just a few sentences than it was done here in three movies.  Ultimately, did we learn anything new or find anything unique or interesting in the story of Anakin Skywalker's fall to the Dark Side?

The answer is no.

Could this all have been avoided and was it much, much better in our heads?

You're damn right it was...

Star Wars Episode III: Revenge of the Sith is now available from 20th Century Fox and Lucasfilms.

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